Every one of our projects begins with the idea of a program: the pieces are not chosen at random, but rather shaped into a journey where they dialogue with one another, connected by a common thread of themes, contrasts, or emotions.
From there, the arrangement takes shape, which for us is a true creative act. We imagine how four cellos can bring to life sounds originally conceived for other instruments or even for a full orchestra, experimenting with techniques, colors, and rhythms. When needed, we allow ourselves small creative liberties: a pizzicato that recalls a guitar, a bow stroke that imitates a breath, or even the use of unusual objects to evoke particular timbres.
Every arrangement requires patience, listening, and imagination. We play it, correct it, revise it, and rehearse it again—note after note—until the music takes form in its most complete version, faithful to our vision.
